By Claude Schumacher
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Additional info for Alfred Jarry and Guillaume Apollinaire
Slightly worried, the dutiful wife went to see what was the matter. As she approached the river, she saw the fisherman, contented and heaIthy, sitting catching their dinner. Looking tragic and dishevelled she went back to Jarry, who was smugly awaiting her return, and informed hirn in a panic that rod and dinghy were floating over the water and that there was no trace of Vallette. Jarry, turning pale, jumped on his bike and raced to the rescue of his friend. Furious at having been caught, he declared, 'We did so because we do not trust women; they are capable of anything' (Arnaud, pp.
Ubu is the personification of all our baser instincts and negative qualities: greed, cruelty, stupidity, gluttony, selfishness, cowardice, vulgarity, infidelity - the list is inexhaustible. It has been said that Ubu incarnates ambition for power, but this idea is misleading as it suggests that there could be some positive value attached to his actions and that, as in the case of Macbeth, somewhere along the line something went wrong. Nothing could be further from the truth. Ubu never tries to throw any kind of veil over his evil deeds.
His eroticism raises more questions than answers, as does his ordinary day-to-day style of Iiving and his attitude to those around hirn. Even his first novel, Les Jours et les nuits, roman d'un deserteur (Days and Nights, a Deserter's novel, May 1897), based on his twelve unhappy months in the army, eludes c1assification despite its autobiographical nature. Ubu was to remain an obsession to the end of his life. In October 1897 the Mercure published an autograph edition of the play, with the music of Claude Terrasse.
Alfred Jarry and Guillaume Apollinaire by Claude Schumacher