New PDF release: African Filmmaking

By Roy Armes

ISBN-10: 0748618627

ISBN-13: 9780748618620

ISBN-10: 0748618635

ISBN-13: 9780748618637

ISBN-10: 0748619941

ISBN-13: 9780748619948

ISBN-10: 0748620346

ISBN-13: 9780748620340

ISBN-10: 0748621245

ISBN-13: 9780748621248

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11. Tahar Cheriaa, ‘Le Groupe et le héros’, in CESCA, Camera nigra: Le Discours du film africain (Brussels: OCIC, 1984), p. 109. PART 1 CONTEXT If we are to address questions of the history and culture of nationhood, the particular form taken by the intersection of contemporary history, culture and politics which manifestly is a crucial question for the recent experiences of most of the world’s population, we ought similarly to consider not what ‘identity’ is . . but how actual, specific, socially and historically located people, and groups of people, themselves articulate their self-conceptions, their historical experience and their place in society.

René Vautier, Caméra citroyenne (Rennes: Éditions Apogées, 1998), p. 156. 50. Lotfi Maherzi, Le Cinéma algérien: Institutions, imaginaire, idéologie (Algiers: SNED, 1980), p. 62. 51. ), France-Algérie: Images d’une guerre (Paris: Institut du Monde Arabe, 1992), pp. 68–71. 34 BEGINNINGS 52. Mouny Berrah, ‘Histoire et idéologie du cinéma algérien sur la guerre’, in Guy Hennebelle, Mouny Berrah and Benjamin Stora (eds), La guerre d’Algérie à l’écran (Paris: Corlet/Télérama/CinémAction 85, 1997), p.

156. 50. Lotfi Maherzi, Le Cinéma algérien: Institutions, imaginaire, idéologie (Algiers: SNED, 1980), p. 62. 51. ), France-Algérie: Images d’une guerre (Paris: Institut du Monde Arabe, 1992), pp. 68–71. 34 BEGINNINGS 52. Mouny Berrah, ‘Histoire et idéologie du cinéma algérien sur la guerre’, in Guy Hennebelle, Mouny Berrah and Benjamin Stora (eds), La guerre d’Algérie à l’écran (Paris: Corlet/Télérama/CinémAction 85, 1997), p. 160. 53. Maherzi, Le cinéma algérien, p. 64. 54. Megherbi, Les Algériens au miroir du cinéma colonial, p.

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African Filmmaking by Roy Armes


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