Download e-book for iPad: Aesthetics and the Philosophy of Art: An Introduction (2nd by Robert Stecker

By Robert Stecker

ISBN-10: 0742564118

ISBN-13: 9780742564114

Publish 12 months note: First released February twenty fifth 2005

Praised in its unique version for its up to date, rigorous presentation of present debates and for the readability of its presentation, Robert Stecker's new version of Aesthetics and the Philosophy of artwork preserves the main issues and conclusions of the unique, whereas increasing its content material, supplying new positive factors, and embellishing accessibility. Stecker introduces scholars to the heritage and evolution of aesthetics, and in addition makes an enormous contrast among aesthetics and philosophy of paintings. whereas aesthetics is the learn of price, philosophy of artwork offers with a much broader array of questions together with concerns in metaphysics, epistemology, the philosophy of brain, to boot worth conception. defined as a "remarkably unified advent to many modern debates in aesthetics and the philosophy of art," Stecker focuses on sympathetically laying undergo the play of argument that emerges as competing perspectives on an issue interact one another. This e-book doesn't easily current an argument in its present country of play, yet in its place demonstrates a philosophical brain at paintings assisting to develop the problem towards an answer.

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Extra info for Aesthetics and the Philosophy of Art: An Introduction (2nd Edition) (Elements of Philosophy)

Sample text

However, what the proponent of such a view would have to argue is that to properly appreciate nature, we have to bring this specific mix of considerations to it, and I am skeptical that this can be done successfully. A weaker claim, more in keeping with the main message of this chapter, is that this hybrid form of appreciation based on several factors is yet one more option we have in appreciatively taking in the natural world. Summary In this chapter we have examined a number of models of the aesthetic appreciation of nature, which choose different objects of appreciation.

First, it claims that the object of appreciation is not confined to discreet objects, views, or impressions but is an object-in-an-environment or a collection of objects that form part of an environment. Second, the properties of these objects that are to be appreciated should be picked out by scientific, or at least the commonsense, knowledge of the environment. If this second requirement is not met, the appreciation is malfounded or inappropriate. Is this model superior to the others that we have considered so far?

If they could appreciate this sort of beauty, with equally flawed beliefs, they could appreciate beauty in nature (the rest of nature for surely we and our bodies are part of nature). Of course, our ancestors had many true beliefs as well, both about the body and nature. None of this proves that some knowledge, or true belief, is unnecessary for proper appreciation. It only indicates that some amount of false belief does not disqualify the appreciative experience. Does the situation change when error is easily avoidable?

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Aesthetics and the Philosophy of Art: An Introduction (2nd Edition) (Elements of Philosophy) by Robert Stecker

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